Here is one of those books I delved into cold
turkey. I knew nothing more of its plot, or theme, than
what I was told by the two friends who loaned it to me. Most likely, if spying it on the shelf
myself, it never would have made my selection list; but when it comes to the
word-of-mouth recommendation of friends, no greater advertisement is needed.
In ‘The
Leftovers”, one learns the story of standard small-town America – represented
through the people of typical small town ‘Mapleton’ - and the continuing struggles they face trying
to deal with the cataclysmic event of three years earlier. The “Sudden
Departure” or “the Rapture”, as
others initially conceived, stole people at random from their environments,
their friends, their coworkers, their families.
This randomness of selection brought dispute of the event being the
actual Biblical Rapture from some religious leaders, prompting the ‘Sudden
Departure’ appellation to develop as the name of choice.
No one knows why it happened – or even what
really took place. All anyone can agree upon
with conviction was people were gone and no one knows why.
In addition to the recommendation from my
friend, it was this concept of the Rapture which stirred my curiosity towards
the book. I personally knew of the concept
from my church rearing, and at one time could probably cite Scripture
references used in support of it. I also
knew bits and pieces of history, recognizing it as a relatively recent concept
in church dogma not all churches believed.
What would this author say? How
would he utilize this belief in relaying his tale?
As I opened, the story begins following the
disappearance – three years after the event occurred. Laurie Garvey, a middle-age housewife of two
(college son, Tom and teenage daughter, Lori) has decided to abandon her family
and join a cult, the ‘Guilty Remnant’,
that sprung up as a response to the Sudden Departure. Members of this group swear a vow of silence,
while wearing all white, smoking cigarettes, and ominously following the
citizens of Mapleton, lurking here and there, in an effort to be the guilty
conscience of those left behind.
I can’t help but wonder if the inclusion of
this nonsensical religious entity is author Tom Perrotta’s knock on
religion. He also includes a pastor who
spends his time trying to prove the Sudden Departure was not the Rapture, so as
to exercise his own guilt for not being included; as well as a father who
develops a following and turns into a corrupt cult leader.
‘Holy Wayne’, the man Laurie Garvey’s son Tom
drops out of college to follow.
Perhaps it is a stretch on my part to make such
an assumption. None of the characters
ever explicitly declare a “religion is the opiate of the masses” mantra. And yet, I always find myself musing over
this possibility whenever no redeeming religious figure alters the
less-than-redeemable ones.
Laurie’s husband, Kevin, serves as mayor of
Mapleton; and while he handles the responsibilities of the job aptly (including
a town remembrance day to honor the departed) he’s not doing as well in the
fatherhood departure, seeing his straight-A teenage daughter turn to rebellion,
embracing the loose morals of her best friend Amy – a girl who has moved into their
home because of the poor homelife of her own.
Whenever asked to comment on this story, I
could easily say I liked the way the characters were drawn. Each individual came across as
three-dimensional and real; and yet, the story became a more difficult matter
to discern. What was this book all
about? What idea was the author trying
to convey? The characters were going
nowhere. Their lives were crumbling
around them as they made one terrible decision after the next. What was the point? And how did this mysterious ‘Sudden
Departure’ play a key? What was it? Why did people accept it so easily?
Such was a grand sticking point for me. I could not envision a reality where people
just randomly began to disappear. It
made no sense for the remaining population to simply accept it. So I was anticipating some type of resolution
by the time the book was done.
However, what I discovered when I reached the
last page was nothing more than the end.
The book merely ended. That was
it. There was no point to the tale;
there was no resolution to the mystery of the Sudden Departure; there was
nothing to explain how people so readily accepted the unparalleled event absent
any fear of it happening again. I did
not understand.
When I read another commentary, I grasped
what had eluded me on my own, and then I saw where I tripped. The book had nothing to do with the
disappearance of all those people, the Sudden Departure. One was not meant to understand why it
occurred or why it was accepted so readily by the ‘leftover’ people. It was nothing more than a vehicle used to
determine and explore how people react to a traumatic event.
This was a book about the people left. “The Leftovers”.
Would they deal effectively with the tragedy
that forever changed their lives? Or
would they allow the circumstances to dictate the rest of their existence?
Such a theme is one I can get behind
wholeheartedly, as I see it as a message all of us need to remember when
difficult times strike our own lives.
However, using the Rapture as a vehicle to reach that point is more
distraction than actual help. A known
event (war, disease, any number of real things) would have grounded the story
firmer into reality, brandishing its appeal, and creating a more lasting
existence for future people in troubling times.
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