Of the seven plays presented here, only two could I not follow: Shakespeare’s ‘The Tempest’ – simply due to the language – and Chekhov’s ‘Uncle Vanya’ – from what I interpreted as a disparaging, hopeless tone to its story. The rest were immensely enjoyable.
Though the era prior to television was before my time, I would imagine listening to the radio must have offered similar means of entertainment. There is the social drama of Ibsen’s ‘Enemy of the People’, where a town doctor becomes his community’s number one foe after warning town elders of the pollution to their hot springs water supply. There is the question of a popular courtesan (in the business of spreading love to gentlemen callers) actually finding true love in Alexandre Dumas’ ‘Camille’. In Euripedes’ ‘Medea’, the wrath of a woman scorned shows the extent to what she will reach when a husband seeks a younger wife to add sons to his lineage. But my personal favorite was certainly Moliere’s ‘The Imaginary Invalid’. A rich old man, deluded into believing he is perpetually sick, depends upon the doctors of his day to keep him well - so much so as to marry his daughter off to his doctor’s son, thereby ensuring a doctor to be in the family. It is hilarious.
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